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#1
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Re: the GENESIS story...
I am happy to see Genesis come back together, however playing hits from their last three albums is more about a corporate payday than a money making venture for the band members themselves. These guys don't need the money, as I'm sure their royalty checks would attest. But if anyone has noticed the trend out there for "reunion tours" of older groups, those tours are designed to help out a floundering industry that has been folding in on itself economically for quite some time. Music fans have had to endure lousy record after lousy record for almost 30 years now....as if a corporate coup happened, and we now have executives with no musical background telling trained musicians that catering to the lowest common denominator is the wave of the future. I find it ironic that these same executives have to reach back to the past for bands that were successful on their own musical terms before the "coup" (just another of my music industry conspiracy theories) in order to bail out an industry that's having a hard time financially right now.
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#2
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Re: the GENESIS story...
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Who really knows? Is one musician more wealthy than another? Who has wasted their money, who has invested, and so on. All I know is that Genesis is touring, and the tickets are priced too high at venues I don't care to go to. So I won't go. I don't have a care about who gets what, etc. If they can get it, get it. Let them get it. They may make More money by playing the really old stuff. Why not? I'd bet they get just as many purchases. It's all supply and demand. When a product comes out that I feel is worth it, I will obtain it. It doesn't concern me who benefits. This isn't the Ohio Players in 1973 who got screwed out of their money or John Fogarty, who couldn't play his own songs for 25 years. Genesis is established, and they should do what they want. As long as I can see 2 shows a month, and I can see high-quality bands in tiny venues, I'm good. I have Crack the Sky in front of 500 tonight, Frogg Cafe/Rare Blend for 50 on Dec 2, and saw Tunnels with 20 (!) people last week at $15 a pop (Ain't NOBODY making money there). They're only one band....they haven't done anything worthwhile live since 1982, so what are we losing out on? |
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#3
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Re: the GENESIS story...
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And Rick pretty much summed up why we shouldn't care about Genesis being rich or not. |
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#4
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Wow! A lots been said here. My view is this Genesis can do what they want. It's their music, their call. However, it appears to me that somehow the BIG THREE do not seem to appreciate their place in music history. Genesis prog of the 70s was unique. It was prog but with a firm basis in good songwriting. This is something some prog bands seem to bypass. What I'd like to see is Genesis perform with Gabriel, with Hackett playing their strongest stuff. Pete might only dress up for the encore.
I saw Genesis in 77' - Collins was amazing but he wants to forget his Tolkeinisque dwarf look as if it never happened. What shook me was the immensity of the show (Boeing 747 landing lights as I remember. REAL dry ice. Bass Pedals that sent you to the gents) Musically, faultless and a feast for the eyes that stays with me today. There was no over the top showing apart from IKWIK tambourine routine. The Knebworth show 1978 was good too. I'm sure this will not happen. Perhaps it never can. Perhaps it's best left to what's left of my memory. Wildk |
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#5
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Re: the GENESIS story...
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Probably his wife lawyers are working in base of a "Cuota Litis", in other words they will charge her a percentage of whatever they get, so she probably is not investing a dime. On the other hand, if you are sued and you can loose a hunbdreed millions, no lawyer will work for free, they will charge Phil Collins a percentage of what he can loose with a very high advance payment. Mike and Tony have not done any really profitable thing in the last 13 or 14 years and when you have more money, you expend much more. I don't believe they are in bankrupt but their huge fortunes may be in risk of becoming simply small fortunes and when you're rich enough, this must be terribly fightening. And even if they are rich, everybody wants to be richer, look at Bill Gates, he has enough money for him and probably ten more generations but still he's working for more. Iván |
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#6
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Re: the GENESIS story...
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I'll go along with Rich but don't come here. Denmark is a prog desert for live acts. I have to go very far to see anything and it gets expensive and it drives me crazy.
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Beware of the Spanish Inquisition,coming to a town NEAR you |
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#7
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Re: the GENESIS story...
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__________________
VAXman -- Watcher of the moon, watcher of all. ----------------Mopper of the moon, mopper of all. -------------------- Aural Moon's Janitorial Services ---------------------and Restroom Supplies, and Techno-patsy -- Cogito ergo iMac. |
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#8
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Re: the GENESIS story...
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Check the last sentence on that... Pretty ironic. ![]() -Methem |
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#9
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Re: the GENESIS story...
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The three of them (again, all are responsible) have made the music you dislike for over 25 years. This is just what they do. Call it what you will, but it's not a commercial pursuit with musical overtones. It's music that is commercially successful. There's a difference. There is no Monopoly here. What Genesis is doing has zero effect on the purchase habits for any other artist. How did Bill Gates get in the conversation? I find the analogy irrelevant. |
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#10
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Re: the GENESIS story...
Respéctfully Disagree Rick and this are my arguments:
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It's evident that since "Follow You, Follow Me" reached the charts and they received a lot of cash, they changed for a more commercial approach. Quote:
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But again it's only my opinion and subject to error. Iván |
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